300 - The Art of War

“Snyder is one of a small, hypertechnical fringe of directors who are exploring a new way to make movies by discarding props, sets, extras and real-life locations and replacing them with their computer-generated equivalents. Cinema has always had a tenuous connection to reality; they’re severing it almost completely. It’s a technique loosely known as “digital back lot.” George Lucas was a pioneer, as was Kerry Conran, the lonely genius responsible for the much praised, little-seen Sky Captain and the World of Tomorrow. In Robert Rodriguez’s cult hit Sin City (also based on a Miller graphic novel), practically nothing is real but the people. It’s not so much cinema as synema. And it’s creeping into more mainstream movies: in Blood Diamond, a tear was digitally added to Jennifer Connelly’s flawless cheek, after the fact, to put the exclamation point on a crucial scene.”
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